I’m still holding my breath waiting for another Coffincraft record but I’ll take more of this either way! Biggest song here is probably “Internal Putrefaction” followed by the swinging crunch of “Body Part Puzzle”.
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If they can keep up this mix of old school death, swampy ’88 Finn-grind, and deathly ’82 hardcore punk I’m entirely on board with what Sadistic Drive are bringing.
Greatest death metal albums full#
The ‘Street Cannibal Gluttony’ is a demo from the original two member line-up featuring Niklas ( Coffincraft) and Jusa ( Bloodscape) and the rehearsal from May this year is the full four members kicking the style towards early Xysma, early Disgrace, and maybe even (old) Death Courier. Simple and nasty stuff that digs up the oldest corpses of Finnish death and bites hungrily upon their brittle yellow bones for meat. Street Cannibal Gluttony / Rehearsal 05/2019 įeaturing the collective talents of some of Joensuu, Finland’s finer extreme metal underground freaks ( Coffincraft, Rutsa, Maniac Abductor) ‘old school’ death metal muckrakers Sadistic Drive channel a fuckin’ disgusting Autopsy-puking grind, thump and howl of primitive and ghastly death. Favorite track here is probably closer “Unholy Deception”, plenty of ‘on fire’ riffs throughout its eight minute push. ‘Descendyawnants of Sodom’ comes more full-range than expected and though it should be pumped out towards death metal folks they’re serving a bit of everything extreme without sounding like a kitchen sink-assed snatch n’ grab.
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“Infatuation with Intoxication” is such a groove, reminding me of those early melodic albums from Abominant as much as Dismemberment or that black/death/thrash ilk. I’m not into the occasional doofy breakdowns (such as the end of the title track) but otherwise these guys have stepped up their gig across the board. Just now hatching out of their pods into full-lengthdom Los Angeles, California area death metal quartet Infinity bring elements of thrash and black metal to their brutish, moshable and oft-meandering brand of death music on ‘Descendants of Sodom’. Either the opener “Hearts Like Abyss” and its memorably keyboard parts or the 16+ minute finale of “Aequor benthic bodies” will be the pieces that sell the album.
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Only complain here is that the bass guitar performance is quite prominent and unchanging, it needs to justify its presence with more varied techniques or effects that help narrate these dreary, sleepy pieces Its either that or more riffs! A fine album and I was glad to have caught ear of it before the end of the year. They didn’t make a big stink about this record upon independent digital release, and I didn’t get a ton of buzz from folks who usually follow Weird Truth‘s fine taste in death/doom so I’m a bit surprised to have only heard about this in November.
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I’d consider that atmosphere Eldritch and not just because of the lovely tentacles on the cover via Moonroot Art. ‘Streams Within’ is more or less a blackened funeral doom act played at melodic death/doom speeds or an impossibly heavy plunge into an esoteric and menacing world guided by ethereal synth and rasping horrors. Mid-to-slow paced death/doom with a huge bass tone and plenty of watery keyboards creating thick and noxious atmospheric dread. Yeah, it is exactly as good as you’d expect. BUY/LISTEN on Bandcamp! | Weird Truth Prod.īlackened death/doom from Turku, Finland? Members from Solothus, Sepulchral Curse and Cumbeast? This has to be good, eh.